Amaranta works as an actress in the director Ana Graciani’s debut film.

Important researchers reflect on the work of Amaranta Osorio.

Here are some articles:

“Female stage interventions in Spain” by Marifé Santiago in Pléyade magazine.

Article

“Migratory duels as objects of representation: untold wars” by Sandra Ortega and Sandra Camacho in GEC Bulletin.

Article

“Narrative and poetry in the theater of memory. Moje holka, moje holka (My girl, my girl) by Amaranta Osorio and Itziar Pascual” by Emilie Lumière in Comparative Literature Studies 4. SELGYC.

Article

“Ibero-America writes, Ibero-America reads”

Participants: Mariano Jabonero, Gioconda Belli, Raquel Lanseros, Marifé Santiago, Amaranta Osorio, Elena Belmonte.

Presented by: Jose Antonio García.

April 3. Madrid Athenaeum.

Amaranta celebrates theater day by giving the workshop “Writing with what there is” at the Sala Paca in Jaen.

Event organized by Carmen Gamez.

“Clic. Cuando todo cambia” premieres in Mexico City. It will be at the Orientación Theater at the Bosque Cultural Center from March 8 to May 4. Saturdays and Sundays at 12:30.

CLICK. WHEN EVERYTHING CHANGES, talks about adolescence, that time full of searches, discoveries and insecurities. It is a play about abuse, harassment, loneliness and misunderstanding, but also about the importance of sharing our fears and our dreams.
The text received the Calderón Prize for Dramatic Literature.

Team

Authors: Amaranta Osorio and Itziar Pascual
Director: Sandra Rosales
Actors: Reneé Doval, Laura Vega, Gilberto Davalos, Paola Cuarón and Andrés Mayer.
Set and lighting design: Félix Arroyo
Costume design: Teresa Alvarado
Original music and sound design: Juanjo Rodríguez
Direction assistance: Dalia Quinto Muñoz, production assistance: Carlos Alexis and costume assistance: Ixchel Sosa
Press and dissemination: Sandra Narváez
Social Networks: Adria L. Castro
Photography: Nacho Ponce
Poster design: Bruno Valasse
Video and spot of the work: Coizta Grecko B
Production Manager: Alberto Robinson
Coordination and executive production by David Castillo,
Collaboration and co-production: 25 Production.
National Production carried out with the Fiscal Stimulus of Article 190 of the LISR (EFIARTES).

World premiere of “MAPA” in France. 

A play that talks about forced displacement in different countries.

TEAM

Author: Amaranta Osorio

Directors: Hegoa Garay and Paula Espinoza

Actors: Victor Muñoz, Sofia de Mello, Juliette Beaulieu, Romane Winkler, Julia Abedaño Dorado, Miguel Pedrero Acosta, Lorena Zegarra, Jean Cudemo, Alexandre Mengelle, Daphné Kavege

Set and costumes: Barracronías Company

Lighting design: Iker Garay

Subtitled: Julien Coutourier and the CETIM students

Production: Barracronías Company.

March 10 and 11. The Factory. U. Toulouse. France

Registration for the second edition of “Gestar una obra” is open. It is an online dramaturgy workshop that lasts 9 months.

Taught by Amaranta Osorio, with master classes from her teachers: Sanchis Sinisterra, Itziar Pascual, Mauricio Kartún, Julia Varley, Sergio Blanco, Carolina Vivas, Jaime Chabaud, Yolanda Pallin, Pedro Villora and Alicia Blas. Theater history classes taught by Fernando Domenech. Bonus with: Mariana González Roberts and Itziar Pascual.

Duration: 9 months.

Modality: online. Recorded classes and master classes (1 hr); practical classes (2hrs)

Practical class schedules. Two Saturdays or two Mondays a month. 7pm (Central Europe)/ 12pm Cusco/Colombia/Chicago/Mexico, 1pm Chile, 3pm Argentina.

Workshop in spanish

“La trilogía del recuerdo” was published in November 2024, edited by invasive editions.

Three plays by Amaranta Osorio. With prologues by: Antonia Amo, Monique Martínez, Nuria de Orduña and Julio Fernández.

Buy the book

Review of Luis de Luis Otero

Note from Horacio Otheguy

Note from Jose Miguel Vila

According to researcher Antonia Amo “Amaranta Osorio’s theater speaks of death, life, transmission, relays, the fight to get out of the shadows and to break the bonds of a patriarchal system that infiltrates the territories of the intimate.” (Sobre tus alas), which dominates economic-social relations (Akuakuaue) and which echoes the political inheritances of recent Spain (Regresar es irse) Feminism Yes, because it responds to the will committed to get rid of patterns of violence, both physical and symbolic, generated by domination that has declined until today in the masculine.

And always, in this goal of creating a theater for human justice, kindness, hope, compassion, benevolence always ends up winning, in one way or another. Amaranta Osorio’s theater is, ultimately, an antidote to the apathy of forgetfulness. It is a firm plea to defend the sovereignty of memory in the construction of the I and the we.”

Amaranta will teach the workshop “Writing with what there is” within the Celcit courses organized by Hernán Gene.

An online drama workshop from February 4 to March 25. Every Tuesday at 7pm.

More information and registration