CLIC. CUANDO TODO CAMBIA written by Amaranta Osorio and Itziar Pascual and presented by Blanca Felipe. Published in Cuba in the book « Porque no habrá quien nos mande. Spanish playwrights and female protagonists (2000-2020) » book imagined and edited by Abel González Melo. Co-published by the Spanish Agency for International Development Cooperation (AECID) and Ediciones Alarcos de Cuba (Tablas-Alarcos Publishing House).
Authors: Antonia Bueno Migallón, Paloma Pedrero, Yolanda García Serrano, Carmen Losa, Lluisa Cunillé, Laila Ripoll, Itziar Pascual y Amaranta Osorio, Gracia Morales, Diana M. de Paco Serrano, Victoria Szpunberg, Denise Despeyroux, Irma Correa, Vanessa Monfort, Blanca Domenech, Silvia Albert Sopale, Eva Redondo, Carolina África, Lola Blasco, Maria Velasco y Lucía Carballal.
Presented by: Abel González Melo, Elaine Vilar Madruga, Esther Suarez Durán, Alessandra Santiesteban, Mercedes Melo Pereira, Liuba González Cid, Blanca Felipe Ribero, Lilianne Lugo Herrera, Carmen Duarte, Laura Liz Gil Echenique, Yvonne López Arenal, Agnieska Hernández, Yanisbel Martínez, Liliam Ojeda, Fátima Patterson, Nara Mansur, Maria Laura Germán, Taimi Diéguez, Martha Luisa Hernández y Margarita Borges.
Publication in Cuba of « Porque no habrá quien nos mande. Spanish playwrights and female protagonists (2000-2020) » book imagined and edited by Abel González Melo. Co-published by the Spanish Agency for International Development Cooperation (AECID) and Ediciones Alarcos de Cuba (Tablas-Alarcos Publishing House).
«Clic.When everything changes» written by Amaranta Osorio and Itziar Pascual and presented by Blanca Felipe.
Participating authors: Antonia Bueno Mingallón, Paloma Pedrero, Yolanda García Serrano, Carmen Losa, Lluïsa Cunillé, Laila Ripoll, Gracia Morales, Diana M. de Paco Serrano, Victoria Szpunberg, Denise Despeyroux, Irma Correa, Blanca Doménech, Silvia Albert Sopale, Eva Redondo, Carolina África, Lola Blasco, María Velasco y Lucía Carballal. Presentadas por escritoras cubanas.
November 18- «El Grito» at Teatro Principal Antzokia. Vitoria-Gasteiz.
October 29th- Teatro Rosalía de Castro. Coruña.
October 15th- Gran Teatro de Cáceres.
September 19th- Teatro Calderón de Valladolid.
August 15th- Auditorio del Parque Almansa. Festival de San Javier.
August 7th- «El Grito» -Teatro Jovellanos. Gijón.
May 29th – Teatro Principal de Alicante.
February 26- April 4- Teatro Fernán Gómez. Centro Cultural de la Villa. Madrid.
EL GRITO
Authors: Itziar Pascual y Amaranta Osorio (Commissioned by Pilar Yzaguirre)
Director: Adriana Roffi
Actors: Ana Fernández, Elsa Chaves, Nuria García, Óscar Codesido, Lucía Barrado, Alberto Iglesias, José Luis Alcobendas, Pablo Turégano and Carlota Ferrer.
Coproduction: YSARCA- Pilar Yzaguirre y Teatro Fernán Gómez Centro Cultural del la Villa.
January 31.2021. World premier of «Unicornios».Written by Amaranta Osorio based on personal stories of Unicornios Teatro. Directed by Nieves Mateo. Produced by Unicornios Teatro. Centro Cultural Pilar Bardem. Rivas Vaciamadrid, Spain.
February 10, 2021. Dramatized reading of «Click. When everything changes» at Casa del Lector in Madrid. Matadero Madrid. By the Navarra School of Theater. ASSITEJ. Spain.
February 26 -2021. World premiere of «El grito». Written by Itziar Pascual and Amaranta Osorio. Directed by Adriana Roffi at the Fernan Gómez. Centro Cultural de la Villa. Coproduction Ysarca – Pilar de Yzaguirre and Teatro Fernán Gómez. Centro Cultural de la Villa. Madrid, Spain.
March -April 2021. Workshop «Breaking the silence» .Université de Franche-Comté. Bessançon. Organized by Erwan Burel. France.
March 10,11,12 . Workshop «Niñas que sueñan teatro». Semilleros Creativos. FONCA. Tlaxcala, Mexico.
March 18, 19, 20. Encuentro de Jóvenes Creadores. FONCA. Mexico.
March 17-20. Participation in the Festival International de Langues in Besançon, France. Readings of Ma petite, ma petite chèrie, Vietato dare da mangiare, Ce que je n’ai pas dit. Sample of the workshopRompiendo el Silencio given by Amaranta Osorio at the Franche Comté University. France.
March 26. Talk at Festival Entre Dos Mundos. Italy
March-April. WorkshopRompiendo el Silencio.Franche Comté University. The result of the workshop will be performed on April 5th at 15hrs at the Scenacle. Besançon, France.
May 22- B8 Theater Companydoes the dramatized reading of «My girl, my little girl». United States.
May- Publication of «My girl, my little girl»translated by Phyllis Zatlin in The Mercurian. United States.
May 21 in Valdebernardo and 23 in Morata de Tajuña – «Unicornios». Spain.
May 29- «El Grito» at the Teatro Principal in Alicante. Spain.
June 27- Premiere «Be like body-Obsolete» performance by Suzon Fuks, in which six writers participate. Followed by an artists talk. Festival Bodies:on:Live. Magdalena: online.
July 1- Presentation of the publication of «El Grito» in Primer Acto. Spain.
July 19-22- Encuentro Jóvenes Creadores FONCA. Mexico.
August 7-8- Workshop»Escribir con lo que hay» Festival de Mujeres en Escena por la paz. Colombia.
August 9- Be like body obsolete. Festival de Mujeres en Escena por la paz. Colombia.
August 7 – «El Grito» at the Teatro Jovellanos. Gijón.Spain.
August 15 – «El Grito» at the Auditorio del Parque Almansa. Festival de San Javier.Spain.
August 27 – «Unicornios» Centre Cultural la Mercé. FITAG.Spain.
September 19- Premiere of «Moje Holka, Moje Holka». Dir. Alejandro Casavalle. Teatro El Extranjero. Buenos Aires, Argentina.
September 19-«El Grito» at Teatro Calderón de Valladolid. Espagne.
September 25- Workshop»Escribir con lo que hay» and presentation of «Be like body Obsolete». Festival Mestiza. Santiago, Chile.
September- Begins to teach the annual theater workshop at the University for Seniors. U. Complutense.
October 6-12- Workshop»Escribir con lo que hay». Encuentro Internacional de mujeres creadoras. Magdalena. Spain.
October 15-«El Grito» at Gran Teatro de Cáceres. Spain.
October 29- «El Grito» at Teatro Rosalía de Castro. Coruña. Spain
November 7- Talk for TONE (New Talents for Europe) Residui Teatro. Madrid
From September to november- «Moje Holka, Moje Holka». Dir. Alejandro Casavalle. Teatro El Extranjero. Buenos Aires, Argentina.
November -December Laboratory «Breaking the silence» Escuela Internacional del Gesto. Madrid, Spain
November 18- «El Grito» at Teatro Principal Antzokia. Vitoria-Gasteiz.
November 19- «El Grito» in the Logroño Theatre Festival. Spain.
November 25- Encuentro Jovenes Creadores. FONCA. Mexico.
November 27- «El Grito» at Teatro Gayarre. Pamplona. Spain
December 12- «Rompiendo el silencio» performance. Escuela Internacional del Gesto. Madrid
December 16- Publication of «Las niñas juegan al fútbol»in the Cuban magazine Conjunto
December 12- 18hrs-Escuela Internacional del Gesto. Madrid, Spain.
Breaking the silence, is a performance (result of a forty-hour creation laboratory) around the silence of women. The texts are written by the interpreters.
Texts and interpretation: Amaia Castañeda, Fiorenza Sammartino, Gio Méndez, Macarena Mochon, María Granado, Olga Laguna and Yan Yan Bo.
Dramaturgy and direction: Amaranta Osorio
Organized by David Trueba at the Escuela Internacional del Gesto. Madrid, Spain.
Be like body obsolete is an online performance that talks about technology and obsolescence. Created and interpreted by Suzon Fuks (Australia-Belgium), with the collaboration of 6 writers from different countries: Amaranta Osorio (Mexico-Spain), Annie Abrahams (France-Holland), Nasim Khosravi (Iran), Parvarthy Baul (India), Ya-Ling Peng (Taiwan) and Younghee Park (Korea).
From October 6 to 12. International Meeting of Creative Women «Tradition- Transmission- Transgression» of the Magdalena Project. Directed by Viviana Bovino.
Workshop «Write with what there is» given by Amaranta Osorio.
She collaborates as author and director of the «Tribute to Ayllón women» directed by Patricia Ariza.
September 25-27 – Festival Mestiza. Santiago, Chile. (online)
August 9 – . Festival de Mujeres en Escena por la paz. Colombia. (online)
June 27 – Festival Bodies:on:Live. Magdalena: online.
BE LIKE BODY OBSOLETE. (Australia)
Be like body obsolete is an online performance that talks about technology and obsolescence. Created and interpreted by Suzon Fuks (Australia-Belgium), with the collaboration of 6 writers from different countries: Amaranta Osorio (Mexico-Spain), Annie Abrahams (France-Holland), Nasim Khosravi (Iran), Parvarthy Baul (India), Ya-Ling Peng (Taiwan) and Younghee Park (Korea). External look: James Cunningham (Australia); Videographer: Freddy Komp.
Premiered in June 2021 at the Bodies on Live online festival. It has been performed at the Festival de mujeres en escena por la paz in Colombia and at the Mestiza Festival in Chile.
Be like body obsolete is an online performance that talks about technology and obsolescence. Created and interpreted by Suzon Fuks (Australia-Belgium), with the collaboration of 6 writers from different countries: Amaranta Osorio (Mexico-Spain), Annie Abrahams (France-Holland), Nasim Khosravi (Iran), Parvarthy Baul (India), Ya-Ling Peng (Taiwan) and Younghee Park (Korea). External look: James Cunningham (Australia); Videographer: Freddy Komp.
Premiered in June 2021 at the Bodies on Live online festival. It has been performed at the Festival de mujeres en escena por la paz in Colombia and at the Mestiza Festival in Chile.
«As an author, she has received several awards and her plays have been presented in some of the most important theaters in various countries and translated into five languages… Her texts are very delicate but they make a deep wound». Jesus García Lambert.
«Critical and public success … a piece of great height, which says things that must be said and projects them to one of the great problems of our century: refugees». Manuel Drezner. El espectador.
«Beautiful, sweet and exciting show». Julio Bravo. ABC.
«Very beautiful show». P.J.L. Dominguez. Go crítica.
«A story full of emotion and strength that charges women with heroism». Diario Crítico.
“My Girl, My Little Girl reminds us of the need to provide responsible histories; it also acknowledges that histories can only ever be partial and incomplete” The theatre times.
«Emancipatory and feminist theatre». Arianna de Sanctis.
«Her texts are soft like velvet and at the same time of a shocking hardness». Antonia Amo
